VOCES8 Live in Concert

St. James is proud to welcome back the world-renowned ensemble VOCES8 live in concert on October 27, 2023 at 7:30 p.m.

UPDATE: THE CONCERT IS SOLD OUT.

Please check back again in case tickets are opened up. 

About VOCES8

The 2023 Grammy-nominated British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. Touring globally, the group performs an extensive repertory both in its a cappella concerts and in collaborations with leading musicians, orchestras and conductors. Versatility and a celebration of diverse musical expression are central to the ensemble’s performance and education ethos which is shared both online and in person. VOCES8 is passionate about music education and is the flagship ensemble of the VOCES8 Foundation which actively promotes ‘Music Education For All’, reaching up to 40,000 people annually.

VOCES8 has performed at many notable venues since its inception in 2005 including Wigmore Hall, Elbphilharmonie Hamburg, Berlin Philharmonie, Cité de la Musique Paris, Vienna Konzerthaus, Tokyo Opera City, NCPA Beijing, Sydney Opera House, Mariinsky Theatre Concert Hall, Victoria Concert Hall Singapore, Palacio de Bellas Artes Mexico City amongst many others. This season they perform over 100 concerts in the UK, across Europe, the USA, Australia and Asia.

The pandemic provided the impetus for 2 continuing initiatives: the VOCES8 Digital Academy, an online choral programme and the LIVE From London digital festival which has broadcast over 100 concerts with 250,000 tickets sold.

VOCES8 is a Decca Classics artist, also releasing on the VOCES8 Records label. The recording of Christopher Tin’s “The Lost Birds” was nominated for a Grammy-Award in 2023. The newest albums are “Home” conducted by Eric Whitacre, featuring his work “The Sacred Veil” and “Seven Psalms” by Paul Simon. In 2023 VOCES8 joins its Foundation Choir and Orchestra to release “A Choral Christmas”, a joyful selection of carols and featuring Taylor Scott Davis’s “Magnificat”.

VOCES8 is proud to be working with Ken Burton as Composer-in-Residence and Jim Clements as Arranger-in-Residence. The ensemble publishes arrangements, original compositions and educational material with the new VOCES8 Publishing house and with Edition Peters, including The VOCES8 Method written by Paul Smith.

 

The Program

Draw on Sweet Night

Buccinate in neomenia tuba

GIOVANNI CROCE (1557-1609)

Te lucis ante terminum (Ferial)

THOMAS TALLIS (1505–1585)

Nachtlied

MAX REGER (1873-1916)

Morning star

ARVO PÄRT (b. 1935)

Dream a little dream of me

FABIAN ANDRE & WILBUR SCHWANDT arr. JIM CLEMENTS

(1910-1960; 1904-1998)

Vincent

DON MCLEAN arr. JIM CLEMENTS (b. 1945)

Libera nos I + II

JOHN SHEPPARD (1515-1558)

Nunc dimittis

GUSTAV HOLST (1874-1934)

— Interval —

and the swallow

 

CAROLINE SHAW (b. 1982)

Nachtwache I & II

JOHANNES BRAHMS (1833-1897)

Tu lucis ante terminum (Festal)

THOMAS TALLIS

Media Vita

KERENSA BRIGGS (b. 1991)

The long day closes

ARTHUR SULLIVAN (1842-1900)

Draw on sweet night

JOHN WILBYE (1574-1638)

You Only Live Twice/For Your Eyes Only

BILL CONTI, LESLIE BRICUSSE & JOHN BARRY, arr. JIM CLEMENTS

(b. 1942; 1931-2021; 1933-2011)

The Masquerade Is Over

HERB MAGIDSON & ALLIE WRUBEL, arr. BLAKE MORGAN

(1906-1986; 1905-1973)

How high the moon

MORGAN LEWIS arr. NAOMI CRELLIN (1906-1968)

PROGRAM SUBJECT TO CHANGE

 

A Note on the Program

A place inhabited by the moon and stars, by solitude, dreams, fears and prayers, the night has given us centuries of exquisite poetry and music. Our nocturnal programme has a wide-ranging repertoire stretching from Venetian renaissance composer, Giovanni Croce, to the contemporary cross-genre American Pulitzer Prize winner, Caroline Shaw. The sacred music here takes us from the end of the day into night, praying for God’s protection during sleep, and gives thanks for Christ the morning star. And just as Kerensa Briggs’s Media Vita reminds us that in the midst of life we are in death, so Arthur Sullivan’s The Long Day Closes uses the approaching night as a metaphor for the end of life. Selections from our arrangements of pop and jazz feature swing tunes, ballads and even James Bond songs.

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